William Golding has been a family members name amongst young adult readers for sixty years because of his classical novel Lord of the Flies, which centers on a group of boys that have to govern themselves after a plane crash leaves them stranded on a deserted tropical island.
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Labeled a parable, an allegory, a myth, a principles tale, a parody, a political writing, even a vision of the apocalypse, Lord of the Flies has actually established itself as a true classical.
William Golding: I think it’s because it difficulties reader’s principles of order and also chaos. People like to think that tright here are rules collection it place that store them safe. What they don’t realize is exactly how fragile our human being actually is.
YA: Lord of the Flies is frequently categorized as a dystopian novel. What execute you think around the trend in dystopian young adult literature, particularly those works being adjusted for the screen?
WG: I think it makes most sense. Young world tend to be exceptionally insecure, and analysis about various other young civilization who are facing much bigger concerns helps them to put their own worries into perspective.
YA: There’s no suggest in denying that you are a large influence on this genre. Is tright here a particular work-related of which you feel proud to insurance claim as part of your legacy?
WG: The Hunger Games trilogy does a terrific task of reframing many the exact same issues I wrote about in Lord of the Flies.
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YA: Which of your lesser-well-known works would you recommfinish for today’s younger readers?
WG: I would imply they take a look at The Inheritors. It encounters one race of humankind, the Neanderthals, being wiped out by an extra advanced branch of humanity, Homo sapiens.