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This poem focuses specifically on the flawed notion of a “whites-only” feminism, addressing racial oppression through lines prefer, “mentioning the problematic girls / they hire to make them complimentary,” and also “the females neither alert nor disapprove / the slighter pleasures of their slaexceptionally.” The poem’s climax, which doubles as the piece’s conclusion, is a direct testament of Lorde’s intersecting identities. She writes, “I that am bound by my mirror / and also by my bed,” referencing her status as a black, homosexual woguy. The last lines of the piece review, “and also sit here wondering / which me will certainly endure / all these liberations.” Here, Lorde employs irony skilltotally, calling attention to the truth that restricted liberation activities are inherently oppressive. In obliging readers to process this concept in between the lines, Lorde pushes them to reflect more extensively on hypocrisy.
“Who Said It Was Simple” is a much more narrative-based piece than a lot of had in “Leaning into Lorde,” particularly because of its specified setting of Nedicks, a chain fast food restaurant. It conveys a “practice what you preach” message to readers, encouraging them to be activists past organized tasks favor marches. At some point, Lorde supplies this poem to emphadimension that all social justice motions need to be rooted in a foundation of intersectionality to be actual and reliable.
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Source: Lorde, Audre. “Who Shelp It Was Simple.” From a Land Where Other People Live. Broadside Press, 1973.