You are watching: Scary movies on netflix october 2015

60. Poultrygeist: Night of the Chicken Dead

" data-sizes="<>" alt="60. poultrygeist (Custom).jpg" class="mt-image-left lazyload" style="float: left; margin: 0 20px 20px 0;" /> Year: 2006 Director: Lloyd Kaufman

As a Troma movie (which are surprisingly well-represented on Netflix), Poultrygeist: Night of the Chicken Dead assures a couple of staples. It will be very trashy. It will be violent. It will have actually no boundaries and also no sense of good taste. The genuine question is the same one you ask with eexceptionally Troma film: “Is it boring?” Here, the answer is “the majority of absolutely not.” Billed as a “zom-com musical,” it’s even a tiny little bit clever in its social satire of consumer culture—you know, in an noticeable kind of way. But is that really why you’re watching a film about zombie chickens that involved life in a KFC-style restaurant constructed on an ancient Native American burial ground? I didn’t think so. Watching a Troma movie is about embracing the gore, scatological humor and also low-production values and simply appreciating some mindmuch less storyinforming. —Jim Vorel

59. Shakma

" data-sizes="<>" alt="59. shakma (Custom).jpg" class="mt-image-left lazyload" style="float: left; margin: 0 20px 20px 0;" /> Year: 1990 Directors: Hugh Parks and Tom Logan

The trailer for Shakma renders it look choose the many deliriously fun “killer baboon” movie in the entire proud lineage of killer baboon movies, yet I predict you will certainly be shocked to find that this film is a stupendous piece of trash. It’s a toss-up among what is the objectively worst movie to actually squeak onto this list, in between this and the following few entries, yet Shakma is a stormy watch that must only be attempted by seasoned fans of poor movies. The “story,” if you have the right to be generous enough to label it as such, revolves roughly a team of students playing a D&D-choose roleplaying game in a medical facility late at night prior to unwittingly unleashing a mutant, hyper-aggressive baboon, Shakma, which hunts them down—which is to say, it hops approximately and also looks adorable and harmless, a lot of of the time. The incredibly restricted sets for filming make watching Shakma an excellent drinking game movie—simply take a large swig eincredibly time the director re-supplies the exact same featuremuch less hallmethod as a “new” place. You’ll soon feel right as rain. —J.V.

58. Breeders

" data-sizes="<>" alt="58. Breeders (Custom).jpg" class="mt-image-left lazyload" style="float: left; margin: 0 20px 20px 0;" /> Year: 1997 Director: Paul Matthews

I very recommfinish you fire up Breeders appropriate currently just to see the shockingly tacky opening credits sequence, which attributes message that looks prefer it was ripped right out of a videogame FMV cutscene from 1993, as a “spaceship” cruises to Planet from Saturn before crash-landing—wright here else?—yet an all-girls college. It raises the question of why movie aliens are always such terrible pilots, but it’s otherwise a perfectly serviceable set-up to a late ’90s piece of direct-to-video horror exploitation, and that’s exactly what Breeders is. Also, it’s a remake of what is basically the same film from 1986, so you understand tbelow should be a story tbelow that needed to be told. That story complies with the killer alien as it stalks the buxom coeds of the all-girls school and also implants them with eggs—hey folks, it’s dubbed Breeders, I don’t understand what to tell ya. I’m not certain what exactly you were expecting. It’s nearly the perfect example of cheap direct-to-video horror throughout its time period, featuring surprisingly decent physical effects at times, horrendous acting, and numerous nudity in a desperate effort to appeal to the lowest prevalent denominator. —J.V.

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57. Leprechaun 3

" data-sizes="<>" alt="57. leprechaun 3 (Custom).jpg" class="mt-image-left lazyload" style="float: left; margin: 0 20px 20px 0;" /> Year: 1995 Director: Brian Trenchard-Smith

I realize that saying “the best of the Leprechaun series” is faint praise, but at least I have the right to affirm that Warwick Davis, the male that played the titular Leprechaun with 6 films, agrees through me. “The leprechaun goes to Vegas” isn’t even cshed to the many outlandish premise of the series (he did go to both space and “the ’hood,” after all), however this enattempt is wbelow the sophomoric humor got to its zenith. It’s colorful, fun and brisk, featuring personalities fighting over a piece of gold with the power to granted ill-fated wishes in the style of “The Monkey’s Paw.” The kills are insanely, absurdly over the optimal, and also the impacts are among the ideal in the series. Best of all, it attributes the protagonist being bitten by the leprechaun and also infected prefer a lycanthrope, which results in him gradually transcreating right into an angry Irishguy over the course of the film. The scene wright here he orders half-a-dozen variations of potatoes from a casino restaurant is delightcompletely hackneyed. —J.V.

56. Jack Frost

" data-sizes="<>" alt="56. jack frost (Custom).jpg" class="mt-image-left lazyload" style="float: left; margin: 0 20px 20px 0;" /> Year: 1997 Director: Michael Cooney

Fun fact: This Jack Frost (the killer snowmale one) actually predays the equally negative family members film Jack Frost (the Michael Keaton trapped in the body of a snowguy one) by a full year, so who’s ripping off whom? Like Breeders, this is the type of cheap exploitation film some boy of the ’90s would more than likely remember from a lurid, crazy VHS cover sitting perpetually unrented in the dusty edge of the local Blockbuster Video—or perhaps that’s just me. It’s probably the cheapest-looking film on the whole list—one look at the snowman costume is proof sufficient of that. In spite of that, just having a silly costume wouldn’t be enough for anyone to remember the film virtually twenty years later. It rises over various other entries in the cheapo comedy horror pack bereason of its silly, nearly Leprechaun-esque fatality sequences, highlighted by a quite inwell known sequence of attack via a carrot. You will certainly cringe. —J.V.