The Red Hot Chili Peppers jammed through an Oklahoma ice storm to a offered out crowd at the BOK Center on Saturday, January 14.

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Tulsa held the event for the beloved band also with a performance and display that left the audience roaring. This is the band’s eleventh appearance in the state considering that 1984.

With a career covering more than thirty years, members of the Chili Peppers store their music and also spirits young. Songs and also albums specifying the The golden state groove and landscape have actually always stuck with them, and have actually attracted countless listeners approximately the civilization.

Candle-favor objects hung swinging ever-so-slightly from the ceiling over the phase and also stretching into the middle area of the arena.

The stage was almost seven feet over the ground and spotlights spun around the BOK Center as world shuffbrought about discover their location.

As the crowd settled and also uncovered their seats, band also member Michael “Flea” Balzary took the phase for a brief minute. In virtually prompt recognition, Balzary was invited with loud cheers and open arms.

“We love Oklahoma. We’ve been coming here since the eighties and also it’s excellent to be earlier,” he shelp.

Balzary introduced “cshed friend,” and also first opener of the night Jack Irons. He defined a little of the partnership and background of the band via Irons, and also through a brief wave, he handed the stage to his friend.

After a exit from the group because of personal factors in 87’, Irons is currently touring via his previous bandmates for “The Getaway” tour as an opener in choose days, perdeveloping a 20 to 30 minute set.

Irons is well-known as among the Red Hot Chili Peppers founding members and as a long term member of Pearl Jam. His background with the band was brief, just working on the band’s initially demo, a handful of songs of their dehowever, and ultimately playing drums on the album “The Uplift Mofo Party Plan.”

His solo work-related as an artist was reproduced on stage in a psychedelic, drum-damaging, handful of songs set to the backdrop of blazing colors and swirling imeras through each song.

The pieces perdeveloped were a showinstance of his style as a solo artist and his method as a drummer. His songs were composed roughly drone-choose tones and horns via saxophones revolving approximately the leading driving drums.

A collage of imperiods reflecting inverted shade landscapes of Egyptian pyramids and Machu Picchu superimplemented via showgirls and also oceanside views complemented the abstract sounds Irons created through neo-psychedelic production.

After a brief break came the second opener, Trombone Shorty & Orleans Avenue hailing from New Orleans. A quick countdown brought an electrifying begin to their set, via a brass band also style and vocalist Troy Andrews playing his signature trombone to lead the charge.

Trombone Shorty is known for his style of mixing R&B, rock, and also funk. Working via artists such as Lenny Kravitz, ZHU, Green Day, and U2. His eclectic and differed impacts really shine in his music.

The crowd automatically reacted to the change of pace and the cheers echoed on.

Leading the hype, Andrews fed off the energy, and also played a collection that got human being out of their seats, clapping, and singing.

A well rounded band composed of guitar, bass, and brass provided Trombone Shorty & Orleans Avenue’s sound a place to remain. They made some fans that night.

Tbelow was little wiggle room as soon as the band also made their sendoff. A warm invitation to the “Big Easy” was given to all in attendance as Andrews and the band thanked the crew and the Red Hot Chili Peppers for the possibility. Then came the hard component.

The arena sat still in anticipation for the headliners. Event crew were well aware of the restlessness, and also held stern looks for anything out of location.

Background music readily available a segmethod right into dimmed lights and a cheering crowd. While the human being stood up from their chairs, a deep basquickly solo resonated throughout the arena. The display was around to start.

A mix of quick and also sharp melodies through soft and soothing notes were the introduction for Flea on bass, lead guitarist Josh Klinghoffer, and Chad actually Smith on drums.

The screams and cheers were deafening.

Both guitar players began a medley of riffs and synchronized plucking to a hectic culminating climb, while Smith organized a frantic beat for a minute then slowed points down dramatically. The arena fell silent.

On the come down, Klinghoffer strummed those familiar beginning notes of their song “Can’t Sheight.” With no hesitation, out walks lead singer Anthony Kiedis to an arena in pure elation as the beat dropped.

Above the phase the candle shaped objects burst into shade and also dropped in various heights to the beat of the music. Working in fads with harmony, they created various forms and moods for the transforming tones of the song.

Like the changing scenery, the lights flickered and also created shapes for the audience to check out in awe – bar lighting, rainbow clusters, and also waves.


Using the whole stage, Kiedis, Flea, Smith, and also Klinghmarket jumped, swayed, and also jammed their method to a set that captured the distinctive nature of the band’s history and also the wide musical palette of classic tracks favor “Dani California” or “Sautomobile Tissue” administer.

Quick paoffers were taken by the lead singer in in between songs. He walked off stage to talk to a couple of human being and rest. It was clear that after the initially handful of songs he was feeling some type of discomfort.

After “Dark Necessities” off their brand-new album with a barrage of strings and also cymbals, Flea took the mic and also said “I swear we’re the most fortunate, lucky f**** band also in the world. Thank you.”

During the pausage, Kiedis gradually walked towards the amp alongside Smith. He hopped to sit dvery own on optimal of it after taking his shirt off. Losing clothes is a staple of the Red Hot Chili Peppers.

Meanwhile, crew rumelted to carry a stool for Kiedis to sit on for the rest of the set. As he slowly walked on phase, the crowd invited him earlier as if it were the initially time they had viewed him on phase.

“Tonight’s not the night for me,” he sassist while sitting and also grabbing his left knee. “You gotta relocate for this next one. Dance on my befifty percent.”

The repeated riff of the track “By The Way,” started, and hundreds of fans screamed in what appeared favor a chorus.

Mellow vocals mixed into the union of guitar and bass at the start of the track. The sounds gave way a frantic light present and also a blood-pumping drum section that mimics the almost schizophrenic activities that are spreview throughout the song.

Kiedis thanked Oklahoma, and held his head high as he walked off the phase via his bandmates.

The arena gradually chanted “encore,” and like fireflies, thousands of cellphone flashlights lit the arena in the hopes of bringing the band ago.

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The four walked back to the phase for one last time. “Give It Away,” which felt prefer the perfect send off.

The band’s existence and also showmanship represented what the Red Hot Chili Peppers are all around. A hectic, smooth, boisterous, and fun concert is all anyone can ask for from a band whose career spans more than 3 years.

A successful present and a humble gesture will certainly hopefully view the Red Hot Chili Peppers back in Oklahoma quickly, but for now, those of us that attfinished have the right to organize on to this minute till then.