We were consisting of Haiku, and tright here was some disagreement about the number of syllables in "fire." Now granted Haiku isn"t technically around syllables (view on), so technically it was a meaningless discussion.

However, I still carry out not understand how many kind of syllables are in "fire."

I understand also an r-colored vowel could be at play.

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I recognize nothing around Haiku, but I can tell you some general things to think around in regards to the syllable in basic.

Unfortunately, the syllable is one of those ideas that is challenging to define exactly and uncontroversially in terms of its details, depwebsite it being one of the few phonological sensations that your "average" speaker has actually a good degree of intiution around. What we have the right to say is that speech appears to be organised into "syllables" which are identified by some combination of the following:

a syllable generally synchronizes to a optimal in sonority;a syllable generally coincides to a unit that speakers intuitively make use of in metalinguistic activities (e.g. singing or clapping one note per syllable);a syllable is an organisational unit: it generally corresponds to a vowel at its nucleus, wth which consonants at the "edges" of the exact same syllable are associated in some means (e.g. transforms in duration can happen throughout the syllable overall unit), and also in a offered language you deserve to discover a relatively small variety of trends that all syllables condevelop to.

When considering the over determinants, tbelow are a few instances where ambiguity arises. For instance, in the word "strengths", tbelow is a optimal of sonority on the "s", and also it"s unusual for such a complex cluster to happen, saying that the final "s" may constitute its very own syllable. But on the various other hand, few if any kind of speakers would make two claps/taps to acagency the word "strengths", or sing it on two notes.

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Words "fire" is another example wbelow tright here is ambiguity, and probably speaker-to-speaker variation. On the one hand also, we may conclude that it is created of 2 syllables: one via a diphthong complied with by one with a solitary schwa vowel. Or we might conclude that it comprises a solitary syllable with a triphthong ("single vowel" via 3 targets). One motivating discussion for it being a solitary syllable might be the visibility of different pronuncialoads in which a single diphthong is present; a motivating discussion for 2 syllables would be wright here speakers mark the word through 2 claps/notes, or pronounce a unique yod ("y" sound) in between the diphthong and schwa.