When the conversation of model-turned-actress comes up (as it does so often lately), Agyness Deyn is in a league of her own—simply as she was on the runmeans. The British stunner, with her bleach-blonde chop and tangible cheek, was an idiosyncratic presence in fashion from the minute she burst onto the scene. That punky appearance might have actually waned over the years—she’s traded in peroxide for her natural gold hue—however Deyn stays a devout believer in doing things her very own method. Along through her sister and also frifinish Tracy Moore, she launched a covetable clothing line sans a lot PR hubbub (Title A, now stocked by the likes of Net-a-Porter); excepting noteworthy cameos (Saint Laurent) has actually removed herself from the catwalk; and also has actually never before offered a stylist (skeptics, look no better than the wonderful Giles number she sported this past weekend).

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Likewise, Deyn’s segue right into the acting civilization has actually been not overly splashy, and decidedly on her own terms. After an introduction through a few shorts five or 6 years earlier, she’s racked up an eclectic range of credits, including a cameo in the studio colossus Clash of the Titans, a risky turn as a stripper in Pusher, and a function as an epileptic young woguy in the indie Electricity last year. The coming months are complete, too: There’s the Coen brothers’ mid-century ensemble comedy Hail, Caesar!; the epidemic sci-fi Patient Zero; and also The White King, a dystopian flick shot in Budapest.

But appropriate now? Deyn is busy via the assorted push and also accolades surrounding Suncollection Song, a sweeping period item from director Terence Davies. Because debuting at the Toronto International Film Festival previously this year, a lot of the accase for the film has actually fallen squarely on Deyn. In the feature, she portrays a Scottish farmer’s daughter against the backdrop of World War I—probably Deyn’s most difficult role to day, and also one that has phelp off in spades: She freshly picked up a nomination for Most Promising Newcomer from the British Independent Film Awards. North American legal rights to Suncollection Song, which premiered in the U.K. last week, were recently obtained by Magnolia Pictures, so mean to catch it in theaters stateside early next year.

In the meantime, we captured up through Deyn to talk around her procedure, taking cues from Ralph Fiennes and Liam Neekid, and arriving to audition in a full ’50s getup.

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On her segue from modeling into the people of acting:“It’s really funny because obviously I modeled for, like, 12 years, which is a huge chunk of time if you think about it, yet it goes so rapid as soon as you’re in it. Then six years back I began trying out doing various other things and also did a couple of brief films, and dropped madly in love through acting and the totality procedure. That was the moment I chose that I needed to concentprice even more on that, so that also creatively I might focus on it and I think simply so human being weren’t confused. ‘Is she modeling? Is she acting? What is she doing?’ People ask me about it a lot, and also I always view it as if you’re in any project, if you’ve been doing the exact same job for 12 years, you type of execute desire to move companies or gain a various title. It’s been, in a method, a development of what I was doing creatively, because it is expressing yourself and also producing a character and points choose that, yet this is just kind of next-level.”

On discovering from Liam Neekid and Ralph Fiennes on the set of Clash of the Titans:“I did a little role in that, wbelow I basically simply sat on the collection, just to gain the vibe. Being on such a substantial, enormous studio film and observing amazing actors like Ralph Fiennes and Liam Neeson—being in this environment where you’re seeing people in their procedure, it was really motivating. That was the minute once I was favor, ‘Yeah!’ Ralph Fiennes and Liam Neechild were doing this scene, and I simply sat tright here being like, ‘Holy shit’—the amount of commitment and also just how intense it was, however then just how funny it was in between takes, exactly how they were so light. I believed, Wow, this is somepoint really amazing to be able to learn and also grow in. Then I did Pusher, and then the West End play The Leisure Society. That was so terrifying, however so brilliant. To the director, I was prefer, ‘Are you crazy? I’ve never done a play before!’ I played Mary in the Nativity in main college, however apart from that . . . <laughs> But that was so exceptional. It was basically choose going to drama school, doing that play.”

On earning a dream duty in Suncollection Song:“With Suncollection Song, I was doing <The Leisure Society>, and also the casting directors pertained to see me in the play, and then afterward they were choose, ‘Do you want to pertained to the office for a cup of tea tomorrow and also have actually a chat?’ So then I went to the office, and also I was asking them what they were functioning on, and they sassist this Terence Davies film, and I was such a film nerd, such a huge Terence Davies fan. I was choose, ‘Oh, can I read it?’ not thinking I would certainly ever have the ability to audition for it. I was just wanting to check out it as a fan. And I review it and also I sobbed. I remember I was in a hotel at the time, just sobbed the whole method through, and also then I dubbed my agent the following day, and also I was favor, ‘I recognize this is crazy, yet execute you think I could maybe audition for this?’ And then I was favor the initially one to go in on . It’s been an remarkable journey. Creatively, as soon as you respond to somepoint so amazingly, stuff happens, and you type of have to be involved through it.”


agyness deyn suncollection song

Photo: Courtesy of Hurricane Films

On researching her part:“Terence had been trying to make this film for, choose, 15 years—over that. He’s had actually this in his mind for so long that he was incredibly certain around his vision for it, however then additionally gave me the majority of freedom in preparing as much as I desire and finding . My whole process is I simply review the book continuously on a loop. I read the book, I review the script, and also figure out that she is on a level of everyday life. I learned to horse-ride for it—not that she has to ride a horse, yet just bereason . All these different things choose baking, hand-operated labor. I constantly uncover it really good to start with the physicalities of a character, and also then go in. I expect then you have actually your very own sort of experiences that you’ve had actually, and then marry it through the story. You and also the character end up being so enmeshed.

“I gained offered the component, and also then we didn’t shoot for a year and also a half, because we had the capital and then it all dropped out. So I had actually a while, which was exceptional, because if we’d have actually swarm straightamethod, it would certainly have been a different thing. By the moment we started shooting, we were simply so excited.”

On Suncollection Song director Terence Davies:“He has this really genteel high quality. He just turned 70 a few weeks ago, and also he has such a wealth of experience. He flourished up in a really working-course background, with somepoint like nine siblings, in Liverpool, and had actually a really difficult father, and he’s also a gay gentlemales. He just brings this endure. We’ll be doing a scene and he’ll come in and also be favor <drops voice to practically a whisper>, ‘Yes, that’s it. Just include this one thing for me.’ Then he’ll tell me a story of him as a young man or his endure via somepoint, and then he’ll go, ‘Okay,’ and also run off to his little bit monitor, and also then you’ll carry out it. He’s so involved emotionally that he’ll be feeling what you’re feeling—the supervisors will certainly be prefer, ‘You recognize he’s weeping at the monitor while you males are doing this.’ And I really respect him in the way that he has such integrity for his own vision of filmmaking. He doesn’t carry out somepoint to make it even more commercial. He states if he doesn’t feel it, then what’s the point? He has a propensity to hold on things, and he does significant, sweeping shots and significant fades. In some ways, the means that he makes films isn’t existing, it’s even more choose an art piece. A contemporary film would certainly just be favor, cut, cut, cut in the editing and enhancing room, however he’ll just leave it on , which provides it beautitotally poetic.”


How a close-knit cast made Suncollection Song’s most difficult topic matter easier:“We did all the interiors in Luxembourg, the summer exteriors in New Zealand, and the winter exteriors in Scotland. We were all traveling together, and also it was incredibly isolated bereason we’re all in the middle of nowhere in New Zealand also, so we bonded so, so crazily. On our days off we’d hire a automobile and simply drive. And I really feel favor for me as an actor, my relationships off-screen definitely help my relationships on-screen. Since you don’t have to fake it if you really have actually an affinity for someone. I feel choose I have the right to feel safe and also play more. Especially via Kevin , that played my husband also, because we had actually the majority of full-on scenes. He goes to war and he comes ago and also he’s basically fucked. He’s such a sweet male prior to, and he comes earlier and he’s really abusive and also he rapes her. We were so close as friends throughout the shoot that those scenes—wright here you really need to totally trust someone, especially bereason it’s so physical—it helped so much. Terence just does a few takes on things—favor the rape scene, he simply did one take. So you need to be in a location via whoever you’re playing versus trust them.”

On functioning with the Coen brothers on the forthcoming Hail, Caesar!“It’s a really beautiful little gem of a function. Basically, I play an actor in a film, in the ’50s. I was just in for a few days, but to work-related with was exceptional. In the audition, I was so nervous. I constantly discover that really effective human being have a really simplistic method of working, and also they absolutely have that. On collection they’re simply so chill. The audition for that was really funny, because obviously you audition a few times before you audition for the Coen brothers. I was like, ‘Oh, it’s ’50s, so I’ll feel more comfortable if I go in a ’50s getup.’ I obtained in and tright here were 2 auditions going on: Hail, Caesar! and this sci-fi activity. I had my hair sort of choose Grace Kelly and also this babsence ’50s dress on and red lipstick, and also I got to the desk and the receptionist was like, ‘What film are you below for?’ I looked down, and also I was choose, ‘Obviously the sci-fi activity film!’

I didn’t also read the scenes I was doing as via comedic worth, and I was really playing the drama in it. And I remember being in tright here and also them laughing, and I was choose, ‘Oh, fuck, it’s a comedy!’ ”